My favourite mountain

Dissident realities, incipient forms of speech, dead languages, visual hallucinations and border dynamics come together in a concatenation of events during an hour and a half of programming.
This art show combines the final works of the students of the Master's Degree in Artistic Production and Research, specialising in ATI, at the University of Barcelona. Finally, together with Imarte and Malas Impresiones, they will launch the publication "Tomar sopa en mi montaña favorita". Created collectively, and with a print run of 200 copies, the work, printed in risography, will be available to the public.

"Ni chico ni chica", chicken by EKI, activates desires, emergencies and transformations through artistic action. In performative language, it uses the body as a medium and clothes as a tool. It reflects on the fluidity in the expression of identity and gender in relation to the spaces in which it is found.
A Marika, a Rat and Barcelona.

Valeria Linera's "Industria de fronteras" is a visual essay on the relationship between the military industry, the migration of entire populations and the technologies of control and surveillance embedded in the borders of the European Union. With Rodrigo Requena.

Bárbara Guzmán-Galeb's "Ficciones Sonoras para una Lengua Muerta" is a performative improvisation that uses the principles of analogue randomness to generate a live composition and fictionalise the musicality of Kakan, the language spoken by the Diaguita culture in northern Chile before its extermination.

Martín Kaulen's "La habitación transparente" presents the witnesses of people who use a photic stimulation device, capable of inducing visual hallucinations, expressing through narration the formal, emotional and symbolic character of their experiences.

"Recortar, modificar, definir. Representaciones somáticas del género" is an installation in which Álvaro Romero proposes to rethink the way in which contemporary society presents and represents itself. The current production of images and the media involved seem to have a real relevance in the constitution of human subjectivity, specifically in the construction of gender.

"Algo ha sido dicho" by Cercle de fades is a performance about the search for speech. This piece presents an experimental journey to find a method of expression and communication of its own, one that breaks the limits of verbal language.

Cercle de fades is a collective formed by María Cuéllar, Julia Suñer Coma, Bárbara Guzmán-Galeb and teresa w.

By: Eki Irusta Araujo, Valeria Linera, Bárbara Guzmán-Galeb, Martín Kaulen, Álvaro Romero, teresa w

Collaboration: Universitat de Barcelona

Bárbara Guzmán

Eki Irusta

Álvaro Romero

Martín Kaulen

Valeria Linera

teresa w