If the trope Europe ceases to exist, our paths become interwoven like a kind of African cosmogram. Sugar is the substrate of Caribbean identity. The rewound videos, in which sugar falls from the bodies as they dance, are an exorcism of coloniality. The bodies of the elderly move with traditional Afrodiasporic rhythms, such as gagá and palo. Meanwhile, young people dance to the beat of urban music from Haiti and the Dominican Republic. A soundscape that invites a return to the beginning.

Johanné Gómez Terrero (Dominican Republic). A filmmaker but not only, an artist with a diploma from the International Film and TV School of San Antonio de los Baños (Cuba), as well as from the Film and Audiovisual School of Catalonia. Among her most recent works is the documentary Caribbean Fantasy, winner of several awards, including the Coral at the Havana Festival; La Silla in the Dominican Republic; Cinepoeme at DocsMX; Best Research in Nador (Morocco), and a special mention from the jury at MiradasDoc in Tenerife.