Objecte de desviació * is an exercise in sculptural bending of a form of the cloister of the building in the process of opening up: the point where the pillar forks and arches in two directions. If we stretch the verbs twist, arch, warp, we find an attainment of synonyms such as turn, deviate, change; dislocate, dislocate, injure; go astray, become corrupt, get lost; or misinterpret, deform and distort. As if it were language that distrusts that which hesitates, or forms that cannot be contained.

*It is a piece that grows. Its second half will be from 24 July.

Manipular una branca is a series of drawings following the same inertia that speculates with the simple gesture of breaking a stick and entertains with an evidence of language: bending and duplicating have always gone hand in hand.

2013 

Production: Raul Baeza Calleja, Xavi Hernandez Ruíz, Mariano Verdejo 

Jorge Bravo, Júlia Gaspar, Julieta Dentone 

Eulàlia Rovira (Barcelona, 1985) currently lives in Barcelona. She has received the GAC 2020 mid-career artist award for the best gallery exhibition and a grant for research and innovation in the visual arts from the OSIC. She has exhibited at Girona Cathedral with Bòlit-Centre d'Art Contemporani (Girona, 2022, El contorn d'un arc), at ethall gallery (L'Hospitalet, 2020, Esmorteir l'esmorteït), at Twin Gallery (Madrid, 2020, No ver claro. No ver. No. No. ), at Capella de Sant Roc (Valls, 2019, The Eye's Speech -or was it the I speech?) and MACBA (2021), Mercat de les Flors (2021), Fabra i Coats (2020), Sala Amadís (Madrid, 2019), M|A|C (Mataró, 2019), Centre d'Art Maristany (Sant Cugat, 2018), Centre d'Art La Panera (Lleida, 2017).

Since 2013 they have been collaborating with the artist Adrian Schindler, with whom they have received the City of Barcelona Award 2020 grant. They have exhibited at The Green Parrot (2022) Pradiauto (Madrid, 2021), Homesession (2019), Musée de Bibracte (Saint-Léger-sur-Beuvray, 2018), Galerie Martin Janda (Vienna, 2018), àngelsbarcelona (2017), Turf Projects (Croydon, UK, 2016) and Centro Cultural Montehermoso (Vitoria, 2017).