"Of all the poets I read, Gertrude Stein is the one who best showed me the way to break the false division between writing and orality and the desire to sound a rhythm that can infiltrate any seemingly neutral verbal order, such as that of patriarchy, in order to dissolve it. In this piece I share some of my texts more oriented towards / or influenced by Stein: several poems from Salitre and Hacía un ruido, a text from Die 1, die eine 3 wurde (2018), and the performance Deja a ella probar. Un fragmento de Patriarchal poetry de Gertrude Stein (2015)".

Links of interest:

https://m-slgd.tumblr.com/

https://pensamientoposfundacional.com/ 

Image: ©Alessia Bomabici, 2022

With the participation of María Salgado

Activity promoted by GOAP Group Obert d’Art Polític

In collaboration with Group de Recerca Pensament Postfundacional

María Salgado is an artist. She combines writing, performance and essay as part of an investigation into a language that makes the present sound and reconnects with the world and desire, with the desire for the world. The enquiry has been taking shape in collections of poems such as ready (Arrebato, 2012), Hacía un ruido. Frases para un film político (Contrabando, 2016), Salitre (La uÑa RoTa, 2019) or REKORD (Contrabando, 2023); the essay El momento analírico (Akal, 2023); solo performances such as De lengua Trois (three) pieces (MAC Montreal, 2019), Die 1, die eine 3 wurde (WKV Stuttgart, 2018) or Lírica / 3 (MACBA, 2017); and stage works such as the trilogy Jinete Último Reino, created with composer Fran MM Cabeza de Vaca and premiered at the 39th Festival de Otoño (Teatros del Canal, Madrid, 2022). He is a member of Seminario Euraca, a think tank on languages and crisis, active in Madrid since 2012.

Thursdays of voice and word 2024 builds on the proposals of creators regularly invited by: 
Blanca Llum Vidal
Eduard Olesti
Sònia Moya
Esteve Plantada
Grup Jordi Hurtado
Àrea de Lletres de la Bonne
PEN Català
Sodepau
Grup Obert d'Art Polític (GOAP)