Paisatges Sonors del Raval

Besides of quality, the common characteristics of sound documents obtained during the residence of Màster en Art Sonor of University of Barcelona is their fidelity in matter of spatiality. The sonic intervention that we propose is based both in this quality of spatial relations and possibility of real time sound processing. Our proposal is an opposition between the proximity of recordings to real recorded soundscapes and the possibility of extreme transformation.

The basis of this intervention of the Cloister of Arts Santa Monica is a set of 24 loudspeakers distributed in three circles of 8 unities than gives structural support to a concertistic improvisation.

http://sonoscop.net

• Organized byMàster en Art Sonor de la UB amb Arts Santa Mònica
• Produced byMàster en Art Sonor
• In conjuction withOrquestra del Caos